Zhapkak is the cover is a special ornament designed for the hunter to walk on the snow without scratching it. The wider the area occupied by the hunter's leg, the less pressure there was and the opportunity to stand on the snow. The zhapkak is five to six times the size of the sole of a hunter's shoe.

It looks like a sack that encloses with a drawstring. A person can tie his foot in the middle of his head. A trap is a hunting tool. Craftsmen often resorted to large traps, depending on the internal conditions of wild animals, such as wolves, leopards, bears, vultures, and goats. The catching place of such traps is so strong that two or three people can hardly walk. Craftsmen check the traps several times.

Its two are known from lines. In order to moisten the outer layer of the trap, the outer surface of the trap is held slightly in the flame of the trap, it is warmed, and the outer surface is rubbed with a dry cloth. According to the process of making soft metal, was supposed to be a time of partial burning.

Its line is made of 7 cm thin metal in its own size. The jaw is made of half steel. The product was usually made of wood. However, some craftsmen make iron because the fallen beast can chew it. He bends it, cuts it to size, and attaches it to his jaw.
The person who makes the trap also knows how to set it. This was also a great craft at the time of the trap. A village fed the people during the traps. The trap is usually made of white iron. The diameter of the trap is 0.2 dm. deepens.

Traps are set separately from predators to rodents. The iron trap consists of three parts: the jaw, the north, and the chin. In making this weapon, which is bestowed on wild beasts, the craftsman chooses its iron. It requires a box of iron on the north side of the collar and a sharp iron on the edges. It is made of steel and bounces like a spring.

The position of a line grinds iron. The thickness of the spring is three mm. Jump up an inch (10-15cm) when you hit the trap that has achieved the line. Its first watering will be hard. When the jaw is lined, it is heated to 15 degrees Celsius and watered with water.  Then bends down with two tweezers to see if it has come into force. When the iron does not break, it is welded to water and cooled gently.

Irrigation is the concept of sharpening. The trap, which is watered without moving, is placed on the animals for a long time. It has one jaw and two jaws. Both jaws are very tight. He constantly puts it on wolves, bears and leopards. Foxes, marmots and rabbits are caught with one jaw trap. Both jaws put felt on the teeth of the trap.

Otherwise, the sharp snare will break the bones of the beasts and cut off the animal's legs. Therefore, hunters notice how the trap strikes. When trapping, there are rods, ashes, (round felt, which is to the north of the trap), chains, pegs, prostitutes. When a hole is made in the yarn and felt, the rod slips, and with the force of the jaw, the double spring moves and slaps.

Their measures the depth of the weapon by 0.2 jugs. They choose a 7 cm thin piece of iron and make a steel jaw the size of their own. Some traps are made of iron. Wooden sticks can be chewed by wolves. So he cuts it to size and fastens it to animals jaw.

Shoes are special for feet. In the epics "Manas" and "Semetei" there are many names of shoes such as blue individual, private, upuke, nakeri, purple maasy.


The boots are made of processed hides and skins. It is sewn with a whole belt. To be comfortable on the horse, the beak came in sharp and swayed less upwards.

The heel and ankle are thickened with a folded strap, the heel is made high, and a bell is placed in a specially made hole or cone on the front. He also wore a long robe and covered his knees. The back of the conch was cut diagonally to accommodate horseback riding and sitting.

The boots have long heels and are decorated with heels. It is not much different from the designs on many other items. The cobblers put a bell on the heel of the women's boots. As he walked, he made a faint sound.


It should be not only our duty, but also the integrity of our daily lives to pass on to future generations the sacred folk art of the past, the sacred gift of the past, the beauty of beauty.

Therefore, one of the most important requirements of our time is to study, read and study such valuable monuments, as well as to restore them and return them to the needs of the people.